Friday 28 December 2012

The Birth of a Font

For this task we had to dissect Gothic, Roman, Block and Script fonts and rearrange the anatomy of each letterforms to create a wide range of new letterforms that could later be transformed into a new typeface.

The fonts I chose to dissect were Lucinda Grande (Gothic), Footlight MT Light (Roman), Impact (Block) and Marker Felt (Script).


I tried to develop the new letterforms systematically in order to ensure that I developed all the variations I could. I have chosen some of the most successful letterforms of the 302 that I created.



I chose the five a considered to be most successful and created the Aa, Bb, Cc, Xx, Yy and Zz
variations.

1. This font was a combination of the Gothic and Script fonts. I tried to keep it so that the majority of the letterform would be Gothic with only one Script element but I could only keep to this for the Aa and Bb as with most of the others symmetry and even weighting was fairly important, especially for the Cc and Zz. I named this 'Centrality'.





Hand- rendered versions





2. The next font is very similar to the first one I did, and was a combination of Block and Script and maintained similarities in weighting to the Centrality Bold font as I tried to use the same technique but again I did have to end up altering it. I named this one 'Cumbrous Bold'.






Hand-rendered version:





3. This font was a pretty simple combination of Block and Gothic. Since both have similar qualities the only obvious distinction was the varied weighting. I tried to keep the heavier parts to a minimum so as not to overshadow the Gothic parts. I named this font 'Scabrous'.









Hand-rendered versions:





4. This was a cross between Roman and Script, and while ordinarily these two groups would bare some similarities, Marker Felt is a much more 'blobby' typeface than other Scripts, making it seem quite childlike. However I feel that the infusion of Roman elements neutralised the childlike qualities a bit. I named this 'Convexity'.







Hand-rendered versions:





5. The last variation was of Script and Block, probably the least similar of all the groups, but when put together, there weren't any parts that I felt were out of place and I found that they worked quite well together, complimenting the characteristics of the other parts. This one is called 'Gallant Bold'







Hand-rendered version:




Tuesday 18 December 2012

Typogateaux

Our Typogateax group (Danielle, Beth and myself) did some individual research, some of the examples of which were impressive but admittedly ambitious. We decided to keep things simple, minimalist and delicious. We landed of the idea of having one modern and one traditional cake, reflected not only in the style of the exterior but in the sponge and the filling.

Our traditional cake would be a simple victoria sponge with jam and buttercream, the modern cake, a red velvet with cream cheese frosting.













Our cakes placed second with 8/10 points.

Sunday 16 December 2012

How To...

Before we knew what this brief was, we were put into groups of 5 and given a topic to research, ours was Communication Skills. We broke it down into smaller areas and each of us researched one. Our research needed to be categorised into 3 different boards; one primary research, one secondary research and one with the information that we found most interesting/relevant out of all our research.


My research was focused on signs, symbols and sign language. For my primary research, I asked people what they interpreted the hand symbols below to mean, with the outcome all being similar. I looked briefly at signifiers, asking people what they associated with different countries. This allowed me to gather certain things that were identifiers for countries.



Much of my secondary research was looking at sign language as a set of universal symbols, understood globally (for the most part). I found that, depending on the country in which a speaker learnt, there were slight variations because in each place the language was spoken, taught and learnt in different ways.



For my final board, I chose to focus on the sign language and the idea of countries flags as identifiers from the primary and secondary research. I also brought in some information on signage from airports and universal road signs, and focussed on how a simple image and idea can become known for something much more complicated all over the world.



We came back into our groups for our crit, after which we were given our 'How To Get People To Speak As A Form Of Communication' brief. After having difficulty getting all 5 of us together, it was decided that the group should split into two, so Joe, Leo and I became one group.
However, two out of three of the collections of research we had gathered were based on non-verbal forms of communication so we found the we became quite limited with information.

We decided it would be best to focus on communication skills, directed perhaps at people who struggle with shyness when communicating and those who might have to meet new people. We would focus on how be at ease and communicate confidently, teaching people about how to effectively execute different forms of communication.
We planned on being interactive to help people conquer any fear they have of speaking to people in a relaxed environment. We planned exercises and tips to be included with promotional posters and handouts.

Joe began to plan and design the logo, keeping it simple and always in touch with the communication theme. After a few designs, it was decided that simplicity was key and he simply broke down the word 'communicate'.



This was Joe's initial design but after considering the legibility of the type with the circles in the background, he completely changed the design.

It was decided that the new design was more fitted to our concept, as it's readable, simple, but still interesting. It's noticeable but discreet and none of the elements of it draw away from the importance of the subject.

Meanwhile Leo had been designing the poster, with a simple logo and design that don't take away from the topic. It included tear off information at the bottom which would allow people to pocket information and help for when people will need to communicate publicly or casually. It was kept light-hearted in the hope that readers would be able to reflect that attitude. While it was quite laden with text, the information given was vital to our project and helpful to whoever might need it.





To accompany the promotional information, we designed a game to help people understand the effectiveness of verbal communication and how the most basic things can be extremely difficult to translate into non-verbal communication. While our research proved that communication mostly consists of body language, tone of voice, emphasis, and eye contact, these things all convey a mood or expression and don't express the words themselves. The game we came up with it similar to charades but with everyday expressions that aren't as easy to express as people may think.

We came up with cards that had a phrase used commonly, and the reader would have to translate the words into non-verbal communication, without uttering a word. The surprising level of difficulty with some of these highlighted how much easier it is to communicate verbally. It also allowed players to understand what non-verbal tendencies accompany the phrases, allowing them to be able to interpret both.
We found that much of the audience enjoyed the game and seemed engaged with it. The light-hearted nature of it meant that it was hard to actually have anyone feel uncomfortable or shy. While it would seem that our group have very little problem with verbal-communication, It did put everyone at ease and still highlighted the importance of different forms of communication.